Category: Wilder, Laura Ingalls

With the exception of Farmer Boy, the original Little House books all have Laura Ingalls as the main character. Though the books themselves follow her as a child all the way to the first years of her marriage, there’s a time jump* between the third Laura book, On the Banks of Plum Creek and the fourth, By the Shores of Silver Lake. The existence of this gap means it makes sense to me to break the series there and have a look at the first three books together.

The Plot
In Little House in the Big Woods we’re introduced to the Ingalls family – Ma, Pa and their daughters Mary, Laura and Carrie. They live in a tiny cabin in the midst of a forest that’s pretty much on the border between Wisconsin and Minnesota. The family isn’t wealthy, but they’re able to live well enough off the land – both theirs and the unclaimed areas of the forest. But soon enough, Pa is beginning to feel the forest is oversettled, and the whole family moves to Indian Territory in Little House on the Prairie. Pa believes the Native American tribes will soon be forced to give up this land (as do quite a number of others) and he and the family set up a farm just inside the disputed border. When he hears a rumor that soldiers will be coming to displace the settlers, he angrily packs the family up and they depart for Minnesota, where they settle during On the Banks of Plum Creek. Relatively close to a town for the first time, Laura and Mary are finally able to attend school, while Pa once again takes a stab at building a farm.

My Thoughts
These first three Laura books cover the period when she was about age 4 until 9 or 10, and follow the Ingalls family as they live at three different locations. We begin in Wisconsin, where the family is living in a small cabin in a forested area near the town of Pepin. The cabin is tiny, and life surely wasn’t quite as rosy as the picture Wilder paints, but even if the depiction of her childhood is romanticized, it’s still engrossing in a way that’s hard to explain.

We’re introduced here to the family: Pa, Ma, older sister Mary, Laura, and baby Carrie. Pa is a bit of a jack of all trades – he farms just enough to provide food for the winter, but obviously much prefers the variety of hunting and trapping with occasional other projects to the steady monotony of farming. Ma supervises the children and the food as well as performing numerous other important tasks around the homestead. Mary and Laura assist Ma with her work and Pa as needed; as with the Wilders in Farmer Boy, gender roles are enforced to a point, but if work needs to be done, then whoever can do it will be required to help out.

Compared to the industrious Wilders in Farmer Boy, the Ingalls family is positively idle. Which is not to say they aren’t constantly working, but without a large farm to take care of, the daily tasks of taking care of the stock and the garden are much less labor intensive. Pa spends a great deal of time tramping through the woods — hunting and trapping and fishing to be sure, but also enjoying himself while doing it. Ma certainly knits and sews, but it’s not clear that she has the materials for the sort of spinning and weaving that Mrs. Wilder was able to do. Interestingly, Ma, a former schoolteacher, does not really seem to press academic lessons very hard on Mary or Laura; both girls seem to have lots of free time in which to play.

But it’s not so much the plot or even the characters which make these books so fascinating. As I mentioned in my comments on Farmer Boy, it’s the details that drive my interest. Wilder was aware she was writing about a way of living already foreign to most of her readers, who had grown up with automobiles and the A&P. She took the time to describe the process of how things worked — from the perspective of a child — and include interesting details that just captured the imagination. If someone confronted me with a roasted pig tail I would probably recoil, but reading about Laura and Mary’s delight in the treat makes me want one: it sounds absolutely delicious.

The drawback to the weight given to process detail, and the fairly episodic nature of these early books means that the characters themselves are not deeply drawn. Ma is quiet and efficient, Mary is good and ladylike, Pa is mischievous and a good provider, Carrie is a baby, and Laura is restless and naughty. Part of this is, I think, because the Ingalls children themselves are so young in these books, it would be difficult to draw a more nuanced portrait of Ma and Pa while still retaining Laura’s perspective. And part of this is because they are meant to be idealized versions of the Ingalls family. Living in a tiny shack in the woods of Wisconsin cannot have been an easy life, no matter how rosy a picture Wilder tries to paint, but to start with real hardships are pretty much glossed over: everyone is well-fed, warm, and comfortable, even if they don’t have lots of possessions.

By the time we reach Plum Creek, the girls are starting to grow older and are more aware of their own lack of wealth relative to others around them. Nellie Olson appears on the scene for the first time, providing a sharp contrast to the Ingalls household with her heaps of toys and dresses, furniture and books. Something I didn’t pick up on reading as a child, but which comes through clearly now, is Charles Ingalls’s restless and somewhat irresponsible nature. His move to Kansas may have been well-considered, but to leave in what amounted to a fit of pique was truly shocking, and his decision for the family to settle near Plum Creek was poorly researched to say the least. Surely the fact that the man he bought the land from was so eager to get out of Dodge should have given him a clue? (Hint: When the oldtimers are talking about “grasshopper weather”, ask them what they mean!) And then he falls victim to easy credit, building a house without any actual money to pay for it. I’m left with the feeling that if he were alive today, his mortgage would be underwater and he’d be up to his eyeballs in credit card debt in spite of his ideals of self-reliance.

And I can’t much speak for Caroline Ingalls either. Though she is obviously part of the decision which brings the family to Plum Creek, because of the proximity to a school for the girls, she seems in no hurry to actually send them — she keeps them home most of the first year they live there, for no good reason. As a child, I never noticed it, but it does seem odd to me that the very clever daughter of this ex-schoolteacher heads to school around age eight just barely knowing her alphabet. Especially when Mary can apparently read? I am not sure what was going on there.

But none of these were things I noticed when I read them long ago, and even seeing them now and knowing more about the real Ingalls family and how they differ from the book version doesn’t take away from the charm of these books. It’s easy to see why they’ve inspired such a fandom as they have.

*Recently, the author Cynthia Rylant has attempted to bridge the gap by writing a midquel, Old Town in the Green Groves to cover this missing period, a book I’ve not yet decided upon reading.

In Short
The first three Laura-focused books in the Little House series covers a span of five or six years in Laura’s life, during which her family moved several times to radically different locales. Wilder describes their lives in each location, dwelling on interesting incidents and pulling these anecdotes together into an idealized portrait of her early life. Though reading them as an adult allows one to pick up on undercurrents that a child probably wouldn’t notice, nothing detracts from their charm and interest. These are books I will and have read again and again.

The Plot
The Wilder family are prosperous farmers living in upstate New York in the middle of the 19th century. Almanzo, the youngest of the four Wilder siblings, is eager to be considered responsible enough to handle training the horses he adores. In the meantime though, there are plenty of things for a boy growing up on a working farm to learn and do. Even if that sometimes includes actually going to school.

My Thoughts
Farmer Boy opens in the winter, with the four Wilder children in the midst of the winter school term. The four are quite close in age, the eldest, Royal, being 13ish and the youngest, Almanzo, only a few weeks shy of nine. But in spite of the fact that he’s only a little bit younger than his next oldest sibling, Almanzo very much occupies the position of family baby, being indulged by his parents and bossed by the older children.

We follow Almanzo, and to a lesser extent all of the Wilders, over the course of slightly more than a year. The book strives to present in detail the various tasks (and pleasures) of a child growing up on a successful farm in New York state. To this end, though the narrative covers most of two winters, we really only see each task once, even though surely things such as timber hauling were a yearly chore. Perhaps one is meant to conclude that the first winter, Almanzo wasn’t involved due to his age (and the fact that Royal was at home to provide more competent help.)

Since Almanzo is a boy (and because the rest of the books focus so much on the tasks of women, being about Laura), Farmer Boy keeps its focus on the male sphere of farm work, with only brief glimpses now and then into the tasks which occupy the time and energy of Almanzo’s mother (and sisters). The women aren’t ignored or unacknowledged so much as their occupations just aren’t part of the list of skills that Almanzo is expected to acquire. It’s made abundantly clear that the talents of both Mr and Mrs. Wilder are essential to the smooth running of the farm and the family.

The book ends with Almanzo tacitly deciding he wants to be a farmer when he grows up, rather than a tradesman. He wins his parents’ approval as well as the chance to help train a young horse, something he’s been clamoring to do for years.

When I was younger, I was always annoyed when I came to Farmer Boy in the series. I had the box set in which Farmer Boy (in spite of being published second) was number 3. So I’d have been reading right along about Laura and her family and then, after being left at a surprising near cliffhanger at the end of book 2, I’d have to suddenly shift gears to New York and Almanzo’s well-to-do family. It really interrupted the flow of the narrative.

I still think it does, but I’ve solved the problem by reading it before the Laura books — since chronologically it would be ahead of them all, given Almanzo’s age. It’s not entirely clear if that’s still the case within the timeline of the books; the Wilders, even more than the Ingalls, have been tinkered with for the purposes of the books. Almanzo’s oldest sister is omitted entirely, perhaps due to her misfortune in also being named Laura, and the other extant siblings (his youngest brother wouldn’t have been born yet during the time period covered by Farmer Boy) have had their ages compressed quite a bit to make them closer together.

But how well the characters match up to their real life counterparts is irrelevant, since this is historical fiction, not a history. And it really is fabulous historical fiction. Now, more than 80 years after the story was originally written, we’re even further removed from the time period Laura Ingalls Wilder was trying to capture. But the level of detail she provides about the small things — the way the yoke attached to the oxen, or the way they loaded logs onto the sleds — makes it possible to imagine the scene even without much knowledge of 19th century farming.

I find Farmer Boy interesting for a number of other reasons as well. Geographically, it takes place in a part of New York I’m not super familiar with. Malone, the town nearest the Wilder farm, is very far upstate, mere miles from Quebec. It’s not stated in the text, but the presence of ‘French’ people nearby is probably the result of the non-border we shared with Canada at the time. (It wasn’t until after 1906 that anyone even bothered to start keeping track of Canadians entering the US.) Their portrayal plays to a popular stereotype of French-Canadians at the time (see: the works of L.M. Montgomery) the origins of which I don’t really know, but which interests me as someone with a significant amount of Québécois ancestry.

But even more than interesting historical sidetracks, what’s most compelling about Farmer Boy is the FOOD. It’s dangerous to read this book while hungry; the loving descriptions of the heaps of food eaten by the Wilder family make it extremely difficult to resist getting something to eat. Popcorn, cider, ice cream, ham, pancakes, potatoes, goose, gravy, sausage, maple syrup, bread, lemonade, egg nog, pies of all types: mealtime is the most frequent scene and it always leaves me desperately wanting to pig out.

In Short
Farmer Boy is unique among the Little House series: it’s the only book with a male main character. This holds true even taking into account the large extended series — the prequels and sequels authored by others. As such, though Almanzo and some of his relatives appear again in the later books, this one about his childhood is really very much stand alone. But it’s fascinating anyway — especially as the Wilders lived not too far from where some of my own ancestors were during that time period — and highlights very well the big difference between Almanzo’s early life and Laura’s.