Warriors of Alavna (N.M. Browne)


The Plot
Dan and Ursula are two British teenagers on a school field trip. A strange fog envelops them and the two find themselves transported to a strange new world where there are still Romans and Celtic tribesmen. Once there, they’re thrown into a deadly conflict for which neither is prepared, but with which they must deal if they’re ever to have a chance of finding a way home.

My Thoughts
Somehow, even though I’m the one in charge of creating the “Upcoming” page on Tripletake, I had not actually read the blurb I pasted in for this book. The result being that my impressions of the book, formed from only its title, were completely wrong. It was nothing like what I expected (which was, of course, relatively high fantasy centering around a land called Alavna).

We begin instead in Hastings (as in Battle of) where Ursula and Dan, unwilling partners on a school field trip, have found themselves in the middle of a clinging yellow mist. Dan is a smart, athletic, popular kid while Ursula is apparently an outcast who has low self-esteem due to her height (tall) and build (heavy). These facts turn out to be rather less important than one might expect in a young adult novel. The point of view shifts between Ursula and Dan throughout the whole book, but it’s most noticeable here at the beginning, where we’re most in their heads. Dan’s point of view is presented in short, nearly clauseless sentences, while Ursula’s sentence structure is more complex. It was an interesting contrast but for me, it made reading Dan’s sections difficult. It felt like the equivalent of being in heavy traffic — you’d move for a couple seconds and then jerk to a stop again. Repeat.

Ursula and Dan emerge from the mist into somewhere different — a land which might be Britain of the distant past or might not. In any case, the situation there is much the same as the situation in Britain during the middle of the Roman occupation. The Celtic tribes are finding their way of life threatened, their lands taken, their authority usurped; in desperation, they’ve been trying to use magic to lift the Veil and summon help from elsewhere. What they got was Ursula and Dan, who don’t feel especially useful.

Of course, the reader knows this will turn out not to be the case: they will obviously hold the key to solving the tribes’ problems, at least in the short term. It wouldn’t be much of a story, otherwise. Dan’s ‘talent’ is revealed fairly early on in the story: he’s what the tribes call a ‘bear sark’, aka a berserker in the grandest tradition of the word. He can turn into an unstoppable killing machine in a disturbingly easy way (disturbing to himself perhaps more than the reader) and go Hitokiri Battousai on all the bad-guys.

Ursula’s purpose is developed more slowly, and it’s she more than Dan who ends up as the central figure of the book. The Celts who summon her and Dan mistake her initially for a boy and this ruse is continued for a very large part of the book. Though it strains credulity for portions of the beginning, it’s a necessary ploy to keep her involved with the male warriors who making the decisions for the tribes. While there’s some lip service paid to the idea that the Celts were a relatively equal society whose womenfolk are known to fight alongside the men, we never see this in practice and the men all seem content enough with the patriarchy, new or not.

The plotting is well-paced; there are no sections of the book where there are too many incidents and others where there are too few. The final battle in particular was impressive, conveying as it did the hectic confusion of what an actual battle of the sort might have been like.

Overall, I’m left wondering why I don’t find myself more enthusiastic about the book or more interested in reading the rest of the trilogy. The lack of good female characters may be one reason; there are only two in the book of any note: one a bitchy screwup and one, Ursula, who spends her time disguised as a boy. Maybe it’s because I didn’t really start to feel a connection to the characters until the very end, right when it was clear that everything was about to change again — the next book may be a continuation, but it probably won’t be a continuation of this particular set of circumstances. I don’t know. All I can say is that it didn’t excite me, but I don’t entirely rule out finishing the series.

In Short
In the end, I have mixed feelings about this book. Browne is a good writer, and yet there are other good writers whose stuff I just don’t enjoy. The story itself was pretty solid, but at the end of it I felt like I still had a pretty shallow feel for the two main characters, Ursula and Dan. I was told that they had changed and grown, but since the book started and stopped without any real look at them in the ‘real world’ I have no particular evidence of them either before or after these incidents. There was a distinct lack of female characters, and our one lead female spends almost the entire book pretending to be a boy; the only other prominent female is jealous, impulsive and behaves like a fool. For that alone I should dislike it, but knowing it’s part of a trilogy leaves me with the hope that like many series, it’s much better when taken as a whole.

Theodosia and the Last Pharaoh (R.L. LaFevers)


The Plot
At the end of the last book, Theodosia set out with her mother to Egypt. Their avowed purpose was to search for the temple of Thutmose III, but Theodosia had a secret mission of her own: to return the Emerald Tablet to the secret wedjadeen before the Serpents of Chaos could get their hands on it. She soon manages to make contact with the wedjadeen, but not before she discovers Chaos is on her trail.

My Thoughts
Far from the flying visit to Egypt which encompassed the last couple of chapters of Theodosia and the Serpents of Chaos, Egypt is the main setting for this book. Theodosia and her mother have set out on an archaeological expedition to discover the temple of Thutmose III before someone else can locate and get the credit for it. In addition to this, Theo has brought along some of the powerful Egyptian artifacts she’s come into possession of through the course of the series, with the intention of returning them to their rightful guardians.

The journey into Egypt is full of period detail, most of which seems reasonably historically accurate based on my own limited knowledge of Egyptian-British history and some quick internet research. Theodosia finds herself in the midst of some political unrest, with the Egyptian Nationalist party protesting and agitating for the British colonial rule to end. This is of limited interest to her, as her own tasks occupy her thoughts and provide her with plenty to worry about.

Because Theo’s mother is not ‘in the know’ with respect to her involvement with various secret societies and ancient magics, the book’s plot develops along parallel lines even moreso than in previous installments, where Theo’s time with her parents was more incidental. So part of the time we spend with Mrs. Throckmorton on the “dig”. Her lack of interest in following any sort of procedure or, apparently, any archaeological methods is rather more Tomb Raider than not — not atypical for the period, not unforeshadowed, but surprising to the reader and also to Theodosia herself. This is also the first time we really see Theodosia spend any extended time with one of her parents, and I was left with an uneasy feeling from the interactions with her mother.

But that may just be par for the course: I get an uneasy feeling when Theodosia deals with almost any adult in this series, including her parents, something which continues through this volume. Whether or not this is purposeful on the part of LaFevers I’m not sure, but the only adult character I’ve been able to accept at face value is Theodosia’s grandmother. All the others seem to have their own hidden agenda with the potential of turning out to be traitorous evildoers at any moment.

Her child-companions do not present this problem, and Theo acquires a new one very early on in this book, the Egyptian donkey boy Gadji whom she ‘hires’ as a servant. I admit that I spent the first third of the book bracing myself for either Theo’s brother or her street-urchin friend Sticky Will to pop out of nowhere and it was a relief when they did not. Gadji is necessarily less developed than either of those two boys, but his arrival is handled well and his participation is not heavy handed.

The book does an excellent job in forwarding the ongoing plot with new revelations and clues while also providing a story which wraps up by the final chapter. I certainly wouldn’t recommend jumping into the series on this book, but the point is you probably could. There are also quite a few nice little bits sprinkled in (Habiba, for one — I could have stood to see more of her) and one or two things that I thought could have used more explanation (the wedjadeen’s insistence upon a male pharaoh — since we know there is precedent otherwise). But overall it was a strong installment; the decision to change the setting was wise, as the middle of a continuing series can bog down and this kept things from feeling stale.

In Short
As we become more embroiled in the ongoing plot, the Theodosia series continues to improve from its so-so beginnings. This entry in the series shifts its setting from London to Egypt, meaning that a number of recurring characters do not appear — a wise choice on the part of LaFevers, who resisted what must have been a real temptation to have one or two of them pop up to lend a hand. It’s unclear if the new characters introduced here will have a continuing role in the series, but they were interesting enough that I can hope for their return. We also get a more revealing glimpse of Theodosia’s mother, which felt as if it might be setting up for conflict later on. The introduction of new players in the game and the new setting helps build this volume to a satisfying conclusion while still driving the whole of the series toward a climax that feels as if it must come relatively soon.

eARC was provided by netGalley. Theodosia and the Last Pharaoh will be available in April, 2011.

J’s Take on The Railway Children


The Railway Children by E. Nesbit is K’s suggestion to the two of us to read. I didn’t really know much about this book going into it. I had read probably only one other book by the author, and that was Five Children and It. So I suppose I had a rough time period in my head, an idea that it might be fantasy. And would involve children and trains.

I read this off of Project Gutenberg, first online (for something to do while trapped at a computer) and then on my Sony e-reader. Let me just take one paragraph to rave about PG. They have free, legal books! In nicely-formatted EPUB! DRM-free! Did I mention free? And quality? We should read more public domain books so I can read them this way. Only one minor quibble: in one instance the children all run their words together without spaces. The EPUB format and my e-reader combined meant I only saw part of that. It didn’t line-wrap. The condition was made worse when I increased the font size. So that’s something to be ware of if you’re editing your work and youhaveasentenceyou’vewrittenlikethisforeffect. Maybe throw in a space. I don’t think a hyphen will work, but it might.

Moving on..

Three siblings are the focus of this story. We meet them in their natural habitat, living a comfortable life in the city with servants and whatnot. But foreshadowing and then calamitous circumstances befall them. Rather mysterious ones. Their father goes off and their mother is in tears, but won’t tell them anything. And at first I made the connection with things that were said with the title of the story and thought we were in for a story about the child evacuation of London. Until I recalled that this book was at least 20 years older than that. And a vague idea it was closer to 40 years before that.

Once I got over that notion, it didn’t take long to realize where their father had gone. If I had read this when I was a kid, I don’t think I would’ve picked up on it quite so quickly. But since I did, it was a little annoying that their mother wasn’t just straight with them and telling them what was going on. Just that all of a sudden they’re poor and have to move to the country.

Once there, their mother spends all her time writing, so the kids are left on their own to amuse themselves. They discover the train station and spend a lot of time there after that. And I learned way more about trains than I ever really wanted to know.

The chapters tended to be episodic. Not quite like short stories strung together, but quite like a serial. And the impression that it was a serial became very strong near the end where one chapter ends with the kids shouting, and the next chapter picks up with them repeating it and a short reiteration of their circumstances.

So if it was a serial, I will forgive one quibble I had with it, which is that time will have passed and they’ll be on to something new and the author will throw in like ‘oh yea, when they first got here, they each started a garden’. This wasn’t important to mention at the time it happened? I hate when authors do that.

As for the episodes, the children explore places and meet new people. And do rather a lot of saving people. When their mother is sick, when debris falls on the tracks, when a kid hurts his leg, when a boat catches on fire. I think England was a dangerous place a hundred years ago!

Kids and their mother in front of a train
On to things I particularly liked. I liked that the girls had male nicknames. And that right in the first chapter, their father is telling them that the girls can fix engines or be a firewoman (meaning, I believe, the person who chucks coals into the er.. furnace, steam, thingee). What was I saying about knowing more about trains now? Heh.

I also liked that the author described some of the emotional, relationship stuff that was going on. I can’t quickly lay my hands on an example, but such as explaining why someone said something or acted the way they did. Or why their mother was reluctant to let them walk on the rails, but ultimately let them, though it hurt her to let them. Just things like that. Which I think would be very helpful to a kid reading the book, especially when it comes to understanding the adult characters. And it was done in a way that didn’t annoy me. Though it probably does require authorial intrusion to get away with it. And reminds me of Lemony Snicket.

As with any story where one of the characters is a writer, as a reader I have to wonder if any of it was autobiographical. I shouldn’t do that, but it’s difficult when she deliberately omits a character’s name. Like if she said it, it would give away the whole game. Or something.

While in the end it wasn’t a fantasy, the detail about the trains that she went into did remind me of science fiction of the 40s and 50s. It could’ve easily been a spaceport and rockets she was describing the workings and everyday running of.

So in the end, I like that this story exposed girls to train technology and exposed boys to interpersonal dynamics. Because I’m quite sure this is a story boys and girls would equally read.

Would I have liked it as a kid? Honestly, I don’t think so. Between the trains and the unfamiliar setting and language of Edwardian England, I think I’d’ve had trouble being interested. Though how I went so long without encountering any of her books, I don’t know.

There’s a WGBH live action of this book, produced in 2000 (the image above is from there). Unfortunately, it looks like our library’s copy is missing. I would like to watch it now. K, you have a copy of it on your DVD shelf?

The Railway Children (E. Nesbit)


The Plot
Roberta, Peter and Phyllis are suburban children in Edwardian London. Their life is not unusual, but quite happy until the day their father mysteriously goes away. After their mother moves them out to the countryside, they find themselves free to explore the surrounding areas and make friends with all sorts of people they’d never have associated with before.
Continue reading “The Railway Children (E. Nesbit)”

Who Stole Halloween? (Martha Freeman)


The Plot
Elementary school students Alex Parakeet and Yasmeen Popp are good friends, in spite of the fact that Alex is a boy and Yasmeen is a girl. They’re also inclined to solve mysteries, and already have one successful solved puzzle under their belts. Now the cat of a schoolmate has gone missing, and there’s a distinct possibility that Halloween the cat may have been kidnapped by a ghost!
Continue reading “Who Stole Halloween? (Martha Freeman)”