Doubletake: J on I Am J

I Am J coverYou might guess why I Am J by Cris Beam caught my eye. I am J! How much more awesome was it when I learned it was about a transgender teen? Though I have to tell him, J is not a good artist name. Bad Googlefu. I even wimped out on my name badge at work and wrote it Jae. People can handle two initials. AJ, PJ, etc. But one letter just doesn’t work so well.

Case in point, while reading it was easy to mistake J for I. Just like 3-letter names that look a little too much like You aren’t good either.

This book starts off using the male pronoun for J, even though at the beginning, he hasn’t yet articulated to himself that he’s transgender. He just knows that, even though he has a crush on his female best friend, he’s not a lesbian. I sort of liked that. Sometimes books like this just start out with the teen knowing who they are and only having to go through the process of convincing everyone else. In this one, he was still wrestling the idea of his own identity.

All is not sweetness and light in the land of J either. Full of angst! He runs away, then comes back. Then runs away with more planning, and gets hooked up with a teen shelter and an LGBT high school. Then gets dragged back home. He tells his mother, who then basically (but nicely, if manipulatively and sneakily) kicks him out.

In contrast to Parrotfish and Luna, this gets quite heavily into the nitty gritty. For instance, just as I was wondering what happens if you start taking testosterone and then stop, the book tells me. I wouldn’t say it’s exactly a how-to manual, but it does answer many questions you might have about the whole thing.

I did find a couple of things difficult to believe. He reads up on testosterone on the Internet, and then something like a day later, he’s thinking of it as T. Isn’t that something you’d pick up after being part of a community? And why didn’t he reach out on forums and things to other transmen? He just decides one day to go to the clinic and try to get some ‘T’. Like.. didn’t anything he read online tell him you can’t just do that? I think even Oprah (aww, she just had her last show) knows you need a brain doctor to approve that sort of thing.

And then to just be able to waltz into an LGBT high school! Jeez, must be nice to live in a big city where they have high schools for everything! That’s almost like living in a fairy tale. It’s hard for me to believe those even exist. When my choice of high school was the public school or the Catholic school in the next town. Is there even an LGBT college? Hrrm.

Speaking of colleges, his mother is all ‘Apply to college. Here’s some applications I got for you.’ And then he carries those things around for awhile, and I’m like.. what? What year is this? Paper! Paper applications?! Snail mail?! I mean, I suppose some of them might still exist, but not the big schools.. not most schools?

All in all, I’m glad this book exists. There definitely needs to be more like it. When the only two I can think of are also the only two listed in the additional reading at the back of the book, well… Still, I did enjoy Parrotfish much more. So if you only want to read one, read that one.

I Am J is another voice in a very small crowd, and I’m glad it exists. Plus, still gotta love that title.

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Nebula Project: The Einstein Intersection

What follows is a spoiler laden discussion of the book The Einstein Intersection. Beware if you’re worried about such things.

In the far distant future, Earth is no longer the domain of the human race. But a new people have arrived to live upon the surface of the planet, a people who adopt a humanoid form and human-like reproduction in order to take advantage of the environment. Lo Lobey is a member of this race, bereaved after the death of one he loves. He embarks on a journey which he hopes will end with her return from the dead.

J: So. Um. I guess my first question is: What?

K: A great question. I have no answer. In fact, I have no idea. Experimental? Surreal? Just plain weird? None of those quite describe this book.

J: I just don’t know if I missed something or what. Well, no, I know I missed /something/.

K: Apparently, judging by Neil Gaiman’s introduction.

J: Oh, I didn’t read that. Since it wasn’t in my copy.

K: He wrote a lot of stuff about misconceptions — that science fiction always had to be about science, or outer space. And about what he felt this book brought to the table.

J: Uh.. confusion? :)

J: Can I say what I think it said and you can tell me if you think I’m right?

K: Shoot.

J: So it’s post-apocalyptic, yea? And radiation has caused these mutations. And that’s all well and good and understandable. And some of them are ‘different’, which you’d think means some of them have psi powers. And they’re the next stage in human evolution. Or whatever. And this one dude is killing other different people for, er, some reason. And then at the end, we learn it’s all just an illusion created by the computers. They’re all avatars? Or.. not. I don’t even know.

K: Mmm. That’s not how I read it. It’s post-human, though it’s not clear to me if the humans are all dead or if they simply left and didn’t come back. At some point some kind of alien creatures (and here’s where it gets really vague) settled on Earth and took humanoid form to adapt to the environment. But they kind of sucked at it, and as a result there’s tons of mutations and bad outcomes when they try to reproduce sexually. Meantime, on the other end of the outcome scale, there’s some people who are weird, but what that means and whether it’s good or bad we do not discover. It just is.

J: And did Neil Gaiman’s introduction lead you to that? I didn’t get that idea at all.

K: Hm. I can’t say if it did or not. I certainly did not get any of your ideas about an illusion created by computers. We’re explicitly told that the computer is creating illusions for the rejected beings in the kage at Branning, but I didn’t get the implication that we were supposed to think it was happening everywhere.

J: Okay. I just reread all the dialogue in the last two chapters or so and now I get that interpretation. Or explanation. They’re incorporeal aliens who’ve taken form on Earth.

J: I just took the ‘not human’ to mean not human any longer, not alien. So, I think it could’ve been clearer. Was it clearer to people reading it in the 60s? Was there some background or context I was lacking? But you got it..

K: Well, I was definitely thinking that they might be a new evolution on Earth, other creatures who had developed intelligence after humans. That was my first impression, especially when Lobey is describing himself, because he sounded very ape-like. But there were a lot of references to how they ‘came’ to the planet, so I had to give that up.

J: So is the title of the book “The Einstein Intersection”, apart from making a great Doctor Who episode title, supposed to be like.. energy and matter intersecting?

K: The introduction -did- explain that. Sort of. The publisher foisted that title on the book. So I suspect that it means absolutely nothing at all.

K: It was meant to be called “A Fabulous, Formless Darkness”

J: Ah, well, clearly /that/ is not a science fiction title. That doesn’t sell books!

K: Einstein is mentioned briefly at the end of the book, so that’s probably why they felt they could drag him into the title.

J: I guess “Ringo Starr vs Billy the Kid” would kind of be lacking something.

K: Hahahaha.

K: I guess since you bring them up, let’s talk about the random Beatles references. Seriously. What. The. Heck. Pop culture references in any work tends to date it (see: almost any bleeding edge teen chick lit from the past 10 years), but in here it was just -weird-.

J: I Googled the Beatles to get more exact dates in my head of when they were big. I mean.. isn’t it a little like throwing in a.. well, I’m bad at music.. what was big 5-10 years ago? Something from American Idol?

J: Like, all of civilization is /dead/, but at least the new alien inhabitants know who Lady Gaga was.

K: Exactly. That’s exactly what it’s like. I mean, yes, as it turns out, the Beatles are (probably) a bit more iconic than Lada Gaga will turn out to be, but back in the 80s looking at all the pop girl singers, would you have been able to pick out Madonna as the one with staying power? Doubtful.

K: It’s incredibly random. And even more random to focus in on Ringo. Because, of course, as someone born after the Beatles broke up, the main story I know about them is John and Yoko and that’s pretty much it.

J: Everything I know about the Beatles I learned from Quantum Leap.

J: There were some other references I didn’t get at all. Like, one guy who I guess is Billy the Kid’s nemesis or something. Orpheus I’m vaguely aware of. And then a couple other names..

K: The knowledge that lasted seemed incredibly random and also strangely specific. Like, Ringo. Elvis. 45s?! Seriously? Records and -something to play them on- will survive the fall of civilization.

K: They’ve barely even survived the rise of computers!

J: Iscariot. King Minos. If that former is Judas.. was Green Eye supposed to be Jesus? What the heck?

K: No, no. Spider was saying he was the traitor who betrayed Green-Eye. Comparing himself to Judas. I don’t think the metaphor was meant to go any further than that.

J: It is odd he knows what 45s are, but doesn’t know the word ‘town’.

J: I think the characterization of Lobey felt uneven. There were things he said in the narration that sounded to me like the author being clever, not the character being in character.

K: The whole civilization felt uneven to me. Were they primitive goat-herders or were they advanced beings who could randomly visit Saturn? Maybe it’s possible that they could be both, but I didn’t feel we had enough information for those two very opposite situations to make sense.

J: Well, I /think/, given the alien creatures thing, that they could just leave their body behind and zip off to another planet. Become some sort of creature there and hang out for awhile. Then come back if they wanted.

K: Maybe. But that doesn’t really explain the seeming complete lack of technology shown in the beginning juxtaposed with what we hear about later, aka these geneticists (doctors) coming to the villages to examine the genomes of the inhabitants. There was nothing to suggest any sort of real schooling or higher education among these people, so where did such people come from?

K: I felt like again, very similar to Babel-17, Delany had all sorts of grand ideas for this world, but he didn’t bother to explain or explore any of them. So they felt like dangling threads or random tacked on bits that made little sense.

J: Yea.

K: I felt the story was somewhat herky-jerky as well. We start off with a village scene, and we have barely enough time to get our bearings with the village and the monsters near the village when suddenly we plunge into a cattle drive and a western motif.

J: Yea. As I was about to say: My experience of reading it was very odd. Just as I thought I had a handle on who Lobey was, we meet Le Whatszirname, who is a responsible adult and the same age. And I started to see Lobey very differently. My mind kept trying to check out during that whole, long dragged-out bullfight scene. Then we go on a dragon drive for a long time. And then it just got weird and confusing for me when they hit the city.

K: It was very… yes, first of all, I didn’t know what to think about Lobey. As we experience things from his perspective, he did seem to legitimately come off as a young, unsettled, barely-adult young man. But as we learn more about his world and people it seems clear that at his age he’s already considered sexually mature for many years (and indeed we find he has at least one kid, possibly more) so theoretically is already an ‘adult’ in his village. So he’s incredibly -immature- compared to them, apparently.

J: Right. Although part of it was also that people around him know things and refuse to tell him!

K: Even when they do explain things to him, though, it doesn’t always improve our understanding.

K: At least not mine.

J: True.

J: But take the fact he thought.. wait, let me actually find the name. Le Dorik. He thought Le Dorik was a girl. Like.. nobody told him? And he didn’t figure it out? He seems to have a stubbornness in his ignorance. La la la, don’t tell me and I won’t think it and I’ll go be happy with my goats.

K: I was rather baffled by his confusion regarding Le Dorik. Shades of The Crying Game, I guess, but even worse — because he apparently had a kid with this herm, but was so disconnected he didn’t even notice Le Dorik was not just into guys. And also Friza, the love of his life, had a kid with someone not him. Even if that was part of their culture, you think he’d want to know who the dad was.

J: They said they did paternity tests! So why did he not know that other kid was his or not his? And they had orgies! Someone sexually inexperienced might miss the hermaprhodite bit, but someone participating in orgies regularly? Presumably /with/ hermaphrodites present. Like. Dude.

K: I was confused by the whole herm thing. Apparently they have their own honorific of ‘Le’, meaning they’re common enough to be considered a normal gender and not exactly an aberration. Except they do seem to be considered an aberration based on comments at the beginning and how Friza was offended by someone suggesting she be ‘Le’.

K: (May I also say, every time I read the name Friza, all I could think of was this: http://en.wikipedia.org/wiki/Frieza)

J: Heheh.

J: Well, the disconnect there is probably because the aliens that they are are normally ‘multisexed’ is I think the word the computer used. And humans are mostly two sexes. So to pretend to be human, they need to disavow that third sex as much as possible.

K: I didn’t quite get why they were pretending to be human. Sure, adopt a form that can exist on Earth. But if I buy a new house and move in I don’t take over the old owner’s -life-.

K: It’s really very odd. On the one hand, this novel is incredibly confusing, with lots of open-ended statements and symbolism and feeling very literary. On the other, it was a heavy-handed mishmash of mythology (minotaur, much?) which was mostly a retelling of Orpheus and Euridice, and the author was so worried the reader would miss it that he has numerous characters actually -tell- Lobey ‘You’re Orpheus, dude!’

J: *snerk*

J: And what’s with all the quotes? Is it supposed to be showing a cross-section of human history and literature that these aliens are drawing on? Or are they just there to pad the word count?

K: I have no idea. Let me quote what Gaiman said about them.

K: “The Einstein Intersection is a brilliant book, self-consciously suspicious of its own brilliance, framing its chapters with quotes from authors ranging from Sade to Yeats (are these the owners of the house into which the squatters have moved?) and with extracts from the author’s own notebooks kept while writing the book and wandering the Greek Islands.”

J: That was one of my questions. If those were real author notes or notes of a fictitious author.

K: If we assume Gaiman had correct information, they would seem to be Delany’s own notes. Which, frankly, are far more impressive than the text itself — a black American in his early 20s wandering around Europe and meeting people and speaking random languages.

J: Why’s that impressive? Isn’t bumming around Europe something you’re supposed to do at that age?

K: I guess, but it seemed impressive to me! To do it by yourself, and to apparently know enough of Greek and French to get by in both of them.

J: Well, I didn’t do it, so I guess I shouldn’t discount a certain bravery in it.

J: I take objection to Neil Gaiman calling this novel brilliant. I don’t believe it is. Taking random bits of this and that and slapping it into a novel is not brilliant. Like with Babel-17, only worse, I felt this novel had a lack of control and a lack of coherence.

J: Focus. That was the other word I was looking for. It needed more focus.

J: Then throwing in the author notes, also not brilliant. It may be an interesting study to literary critics, psychologists and other academics. It might even be interesting to readers, as witnessed by blogs that talk about the writing process. But I don’t think it helps the novel any to be in there. I think it hurts it.

J: You don’t want to see the man behind the curtain. You don’t want to see the wires. You don’t want to see all the chaos backstage while the actors are performing.

K: I certainly wouldn’t call the execution brilliant. Maybe the basic idea is brilliant and that’s what everyone’s reacting to. But for me, it wasn’t developed enough for me to judge the brilliance one way or another. It’s like a sketch. But a sketch of the Mona Lisa isn’t the Mona Lisa yet.

K: It’s just a potential.

K: I wouldn’t categorically say that including the author’s notes is a bad idea. I’m not sure much was added -here- with them, because their inclusion was too haphazard and not methodical.

J: I was going to look at the other nominated works and be all ‘Why did that other one not win?!’, but all of them are ones I haven’t even heard of, so I can’t say that. Although The Eskimo Invasion is an intriguing title.

K: Ha! I did the same thing.

J: Looks like Lord of Light won the Hugo. So I’m betting that one was more coherent.

K: There were a lot of very strong images in the book. I was especially caught by the description of the dragon captured by the carnivorous flowers. But they weren’t coherent enough as a whole.

J: I don’t even remember any dragon and carnivorous flowers, so. Not that strong of an image to me.

K: Heh.

J: I know we haven’t read many yet, but this book is the worst one so far.

K: It was very arty.

K: The sort of book that wins awards.

K: Which, frankly, is not a compliment.

K: I would definitely agree with it being worst so far. But even though it was not great as a story itself, do you think it had any influence on future books? I’m not actually really widely read in sci-fi, so nothing springs to my mind. I feel like Babel-17 may have influenced ideas more than this.

J: The only thing that springs to mind is Star Trek. TOS loved energy beings. But that’s contemporary with this novel, so it’d be tricky to say which came first, or if they were both drawing inspiration from the same source.

J: In general, no, I don’t see any lasting impact from this. Not like the previous winners.

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Nebula Project: Flowers for Algernon

What follows is a spoiler laden discussion of the book Flowers for Algernon. Beware if you’re worried about such things.

Tying with Babel-17 for the Nebula in 1966, Flowers for Algernon by Daniel Keyes tells the story of Charlie Gordon, a man with an IQ of 70 who works in a bakery, and how his life changes when he undergoes a procedure to increase his intelligence. He learns to look at his former life differently, even as he tries to fit in with the people around him as his intelligence catches up to theirs and even surpasses it.

J: I think I may’ve read the novella (was it a novella?) version of this in high school. And only a couple of years ago, I read the novel. So here I was reading it again! But while I remembered the generalities, I didn’t remember the specifics. So it wasn’t too bad reading it again.

K: I also found I had a very poor memory of the story. The vast majority of it seemed new, even though I remembered the basic plot structure. I could have sworn I’d read the novel version, but honestly I have no idea given how little of it I apparently retained. I guess that’s understandable given that it must have been 20 years ago, but I was a bit surprised.

J: Yea, that idea occurred to me briefly too. That maybe I’d missed something before.

K: I do remember reading it very quickly last time. I’m not sure why. I think the subject matter — someone gaining intelligence only to have it ripped away from him — made me uncomfortable at the time. And as a parent of a multiply disabled child I have to say it made me even more uncomfortable now.

J: I can’t really remember my first reaction to the concept, since it was high school. But I know I wasn’t a fan of the idea. And this reading, I wasn’t reading for enjoyment at all. I was reading it to find fault with it. Mainly in his portrayal of Charlie to start with.

K: I can’t say I was reading to find fault; I was more reading to get through. But I was definitely looking to see if the portrayal felt well-researched and not exploitative in some way. I can’t say my conclusions are definitive in either way. I read that Keyes based Charlie on intellectually disabled children that he had worked with, but somehow what came through to me on the page felt very much like an outsider’s view of mental retardation. What someone -thinks- it must be like. Not necessarily what it really is like.

J: Yea. It kind of made me want to read something(s) actually written by someone of Charlie’s ability. There must be a collection like that out there somewhere, right? Maybe? It’s really easy to fall back on spelling, grammar, punctuation as a ‘gimmick’ to demonstrate it. Like how the movie is called Charly with a backwards r, even though he spells his own name correctly in the book. Same thing with Hagrid, actually. In the movie, it’s made out like he can’t write properly. Nice and visual for a movie, I suppose, but..

K: Yeah. But the backwards letters suggests different disabilities to me than what they were going for in the book. So even though the book is told from Charlie’s point of view, I was suspicious of his point of view at the beginning. It didn’t feel entirely authentic to me. Even though I have no real information upon which to base that opinion.

J: Right. One thing I started to take objection to was that they kept referring to him as like a child. And that just didn’t sound right to me. In one aspect, perhaps, but mostly, no, he’s not like a child, he’s an adult. And although Charlie’s really good at saying the ‘old’ him was a person, he never said he was an adult. He went along with the child analogy.

K: You’re right. I hadn’t really thought about it, but I do wonder about the whole ‘eternal child’ stereotype. In one sense, I suppose, yes, perhaps it’s true that he hadn’t developed emotionally or intellectually the qualities one associates with an adult. But he was an adult physically, working with adults, living with adults.

J: I was about to take objection to his lack of sexual maturity too, but then he’s got some childhood abuse stuff going on there to explain that. Which is a theme I could very well do without.

K: I don’t know. Maybe because I’m looking at this now from a parent’s perspective, but that whole subplot was the most authentic and genuine part of the book for me.

K: Not the whole sexual repression business, but the abuse and the way his family fell apart because of his disability.

J: I’m not saying it was unbelievable, especially at the time he would’ve been a child. Um.. 1940s? It’s just a theme I’m not a fan of in books.

K: I can see that. But while child abuse in general is kind of a popular theme, I think these particular circumstances are not always portrayed very accurately. Keyes did a good job there. The way his mom swung from the extreme of desperately trying to help him no matter what the cost to the other extreme of blaming him for not trying and taking out her frustrations on him — those are feelings I’m very familiar with, unfortunately. Especially with the complete lack o support and services a family at that time would have had. Even today it’s not really a whole lot better. The number of marriages that break down due to a very sick or disabled kid is incredible.

J: I don’t know how personal you want to get, but I think you and Bob are incredible at that. When something new comes up, you find a way to make things work.

J: In Charlie’s situation, from what limited knowledge of PKU I have, Charlie would’ve only been getting worse as a child, rather than improving.

K: Yes, I wanted to talk about that. I was surprised when they mentioned a specific reason for his retardation. My first thought, of course, was better not eat any aspartame.

K: The irony being that PKU can be controlled with diet and people with it can live a normal life if it’s caught when they’re born in an infant screening.

J: It is surprising he named it. And then did some weird pseudo-science handwavey explanation of the procedure. Why not leave it vague if you weren’t going to get very specific?

J: Or maybe the scientific/medical explanation was more explicit than I thought and it only seemed like it wasn’t to me. I know it involved implanting new brain tissue (from where?!) and enzymes, I think…?

K: No, the description of the procedure was oddly specific and vague at the same time. I wasn’t at all clear where the new brain tissue was coming from. But in the manner of speculative fiction, in some ways it almost sounded like stem cells if you took out some of the obviously dated technology.

K: And of course the ‘flaw’ that Charlie discovered really ought to have been that since he didn’t change his diet at all, even his brain transplant should have been damaged directly by his same condition!

J: Heh. Yea.

J: Here’s the quote. “But first, we remove the damaged portions of the brain and permit the implanted brain tissue which has been chemically revitalized to produce brain proteins at a supernormal rate.” And I think that’s pretty much it for explanations!

K: Yeah. It sounds like a transplant to me. But still there’s no clear source for the transplanted tissue. I suspect that the technobabble wasn’t really meant to be the point, hence the hand-wavyness of the idea here. On the other hand, PKU is real, it really causes retardation, and it really can occur in mice. So we have some really specific, accurate information and some hardly believable randomness.

J: Yea. Though given that description, as vague as it is, of the brain surgery, they were awfully blithe about ‘oh, no danger, not really!’

J: They all seemed certain the surgery itself would go just fine. No complications whatsoever. Because it worked on mice.

K: Yeah. I don’t think much of these scientists. They seemed to be operating without any kind of real oversight even though they were experimenting on a human.

J: Yea. That would’ve been more believable if they were actually at that institution he visited. All sorts of experiments went on in those places up until fairly recently, unfortunately.

K: Yeah. Though the brief glimpse we saw of it, the people there all seemed rather more sincere and altruistic than the group at the University.

J: I wondered why Charlie didn’t have any friends who were peers. He went to school for years, but never made friends with any of his classmates?

K: That was very strange. Certainly people greeted him when he went back to visit the school. He really didn’t seem to have any community at all — when we see him go out with those guys from the bakery, I didn’t get the impression that this was a regular thing.

J: Yea. Did we even see where he was living? I think he was living at the bakery or with the owner? Maybe?

K: No, it sounded like he was living in a boarding house or some kind of cheap apartment. He didn’t have to move after he got fired from the bakery.

J: So do you think it sounded like a genuine genius when he reached that level? Or like an outsider’s view of it?

K: He certainly sounded like someone’s perception of a genius. A little too geniussy, though. Picking up languages in a week, learning neuroscience in… a week. Composing piano concertos in… a week. There may well be people who are that polymathic but it strained credulity quite a lot.

J: And yet seemed perfectly able to remain intelligible in his progress report entries. Even though he made whatshername.. Alice feel like an idiot just by talking to her.

K: Except I didn’t quite see why, from the part of their conversation we saw.

J: Other than because she’s a girl?

K: There were some girl issues, but I’m not sure that was it. Keyes seemed to want to equate genius with taking no pleasure in normal things, but somehow living on a higher plane. Charlie felt like he was above all those common people talking about their common philosophies and topics in the cafeteria. It was kind of annoying — like, by being smart, you -couldn’t- be interested in normal stuff anymore. Which is complete nonsense.

J: And that all academics are so deep in their speciality that they can’t converse on tangents related to it.

K: It was a very stereotypical view of a genius disconnected from the real world. And a pretty cynical view of academia.

J: I agree.

K: And then the girl issue. I did have to keep reminding myself we were in Mad Men era, but I still wasn’t really thrilled by the female characters. Not that any of the supporting male characters were much better, but they at least seemed to have personal agendas.

J: The girls really bothered me. Especially as we do see the example of Babel-17 which won /in the same year/. And that was so much better on that front.

K: It really was. Even though Rydra has a lot of issues, they weren’t a -lack- of motivation and agency. Here we have Fay, who pretty much exists to drink and have sex with, and Alice, who pretty much exists to angst over, pick up his room, and have sex with. Rose, his mother, is portrayed as almost pathological for her completely natural (if ultimately abusive) reaction to Charlie’s retardation — and in the end, we see that she’s also lost her mind and ability to function, just like Charlie.

J: And again, like Dune, we have.. mother, sister, lover, lover. Plus added to that, it’s teacher, some nurses. When we have a chance to see some actual women scientists, maybe, they’re all busy jumping on chairs and screaming because a mouse is loose.

K: I didn’t even notice any women in that scene. Heh.

J: You didn’t? It was pretty obvious. Hrrm. Are there differences in our copies?

K: No, no, I probably didn’t read it very closely. But let me look

J: “..until a woman at the table screamed, knocking her chair backwards as she leaped to her feet.” “Some of the women (non-experimentalists?) tried to stand on the unstable folding chairs while others, trying to help corner Algernon, knocked them over.” “Seconds later, half a dozen women came screaming out of the powder room, skirts clutched frantically around their legs.”

K: Yeah, I just found that section. I really didn’t read the whole escape scene very closely. I remember feeling I was skimming it when I read it, but I couldn’t tell you why I did.

J: He made that paranthentical after I had been wondering what the heck scientists were doing being freaked about a mouse. And I see that the second quote may have meant some of the women where trying to corner him, ineffectually. No excuse for that bathroom bit though!

J: You know, I skimmed it too. I just must’ve started my skim later than you did.

J: I had to actively go back and reread ‘wait, why’s he in the bathroom?’. I remember that. And then I wasn’t paying attention to the last bit of that section either.

J: So, no, not a skim for me. I just spaced out.

K: I remember thinking, when I got to the end of it, I never saw him pick up the mouse even though I know he had Algernon in his pocket or something. But I didn’t go back and look at it again.

J: Then I was busy wondering how he got a mouse on a plane!

K: I did read the part before the escape, because it describes again the whole theory of what they were doing.

K: Ha. You can still do that NOW. No surprise he could do it in the 60s.

J: Do you think he knew it was going to be a movie at this point? Did he add the scene for its movie comedic potential?

K: I don’t know. We’d probably have to compare the original with the novel version.

J: Do you want me to borrow the movie? I sort of want to see it and I sort of don’t.

K: I don’t have any particular interest in the movie.

J: Nice how this book gets shelved in our ‘classics’ and is also labeled ‘fiction’ by the publisher. No, nope sci-fi here, move along please.

K: Yeah. I wouldn’t have pegged this as science fiction, though I can see the argument for that classification. But in the ‘you know it when you see it’ category, I can see why this book is so popular as a school assignment.

K: Otherwise, I’m not sure how this book holds up. Obviously the actual problem described (PKU) has been ‘solved’ in some sense, because there is infant screening for it and a diet which can mitigate most of the damage.

J: While there are still people researching how to make people smarter. Still, in today’s climate, they’d be facing so much scrutiny that I don’t think this experiment would ever get off the ground. At least outside of mice.

K: This particular experiment, no. But they are doing a lot of work with stem cells to heal brain injury. Which might help with my daughter’s disabilities at some point. But brain transplant is definitely not happening any time soon.

J: I just envision a lot of pushback them doing it on adults who, at least with Charly, only seem to have a low IQ. He doesn’t suffer from the seizures that Wikipedia (a good source!) says is fairly common for PKU.

K: Yes, I can see that. But if you’re trying to heal a brain injury rather than ‘cure retardation’ you have a much wider source of subjects. And it also sounds a lot less controversial.

J: Very true.

J: I just realized I spelled it Charly. Dangit. Is it just the English major I once, momentarily, was that makes me see the whole thing as a metaphor for children growing up to surpass their parents? In this case, the scientists as well as the actual parents.

K: Nope. Because I read that Keyes was basing it a bit on being the English speaking/well-educated child of immigrants.

K: So good catch.

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J’s Take on A Spy in the House by Y. S. Lee

A Spy in the House coverThe basic premise of A Spy in the House is that it’s er.. Victorian? London and this girl is plucked from prison where she’s about to be hanged for theft, and brought to a school. Where she learns, not how to be a proper lady, but how to think for herself. Not that she needed much help there. But she also learns maths and things. Only learning and then teaching at the school isn’t enough, and she asks if there isn’t more. And there is. There’s the Agency, which is a private company of spies. Female spies.

Unfortunately, we don’t get to see the school at ALL. Unless you count the headmistresses’ (or whoever they are) study, or room, or office (whatever it is). Four or five years go by between the introduction and the first chapter, and suddenly she’s 17 and ready to go do spy stuff. We don’t even get to see any of her super-intensive super-secret spy training!

But, that’s okay, because she was so super-awesome that she could do it super-intensively and not the long way. And maybe I wouldn’t have twigged ‘Mary Sue!’ if it hadn’t been so recently after my discussion with K about Babel-17. But I’m calling it on this one. Total Mary Sue.

So, yea, okay, the school sounds mostly normal and boring. But it was new to her and I really, really, really would’ve liked to have seen some of it. So, at this point I’m already rather annoyed. I’m more annoyed when she passes their spy wannabe test with super-awesome flying colors. I then get further annoyed when several chapters in, we randomly get a chapter from some guy’s point of view.

It’s around about this time that I start feeling it’s a historical romance novel disguised as a YA adventure-intrigue-mystery novel. Grr.

My annoyance escalates when, in the first scene where the main character (Er.. name name.. what was her name…? Mary Quinn? Ha ha! It totally was. Okay.) The first scene where Mary Sue Quinn and Hunky McDreamy are together, the point of view completely breaks down. Utter failure. It was his point of view, but then we get one of her thoughts. And that’s not a fluke. Because the entwined confusing points of view recur every time they’re later in a scene together.

So now I’m just ready for this book to be over with so I can write my review full of annoyance about it. But I’m not even halfway through. Fortunately it’s not a slog. And it’s not a long read. It’s just not a particularly interesting one either.

Then, ladies and gentlebeings of other genders, then we learn something about Mary Sue’s past that she knew all along. No, dude. No. You don’t get to hide something that important from us. If it was first person, sure. But it’s third person and we’re inside her head. The author should not be keeping that sort of secret from us. It’s just wrong.

And, yes, it does make the whole story a little more interesting from that point on, but I’m still beyond annoyed and into mad now. And while I’m reading, in the back of my mind I’m thinking.. if I say this in my review, is it a spoiler? When I firmly believe it should have been revealed in the first chapter? Hrrrm. Am I complicit in hiding it from other readers by not mentioning it? Well.. now you’re warned at least. And if you care to know, probably the second book in the series says it right in the summary.

So the next thing that happens is Mary Sue Q does the unforgiveable. She receives some deeply important information about her past. And she doesn’t read it. And she doesn’t take it with her. Why? I have no idea. You’d think she’d have plenty of hiding places in her dress. It’s not like it’s a steamy romance novel and McDreamy was going to rip it off of her in the next scene.

So, la la la.. plot, bickering, plot, flirting, plot, standard dialog you’d find from two love interests who don’t get along at first, maybe plot or something. And then it’s all over. The end.

Except it’s not. Because there are loose ends.

But there’s no way I’m reading the next book to see if they’re tied up!

And now I feel remorse. I feel I was too harsh on it. So let me soften the blow at the end here. It does try to say some things about gender. Women can be spies. Women make good spies, even. Women can be political and business minded. Women can be bad guys too. And Victorian London kind of sucked. Especially with the smelly Thames.

I really do like the cover. Kudos to the publisher on that. It’s subtle (to my eyes), but there.

And, I don’t know, maybe the series improves. But there’s not enough in this book to compel me to brave it.

Fun Fact: The first paragraph involves urine. Nice way to get teen girls to just jump into your story, isn’t it?

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J’s Take on The Science of Doctor Who

The Science of Doctor Who Cover
Because when you can capitalize on a media sensation without breaking copyright laws, why shouldn’t you? The Science of Doctor Who takes the science and quasi-science and pseudo-science you can find in Doctor Who and compares it to the state of real world science (and techology).

I never found it so dull that I wanted to completely stop reading it, but I didn’t find it fascinating or captivating for the most part. A lot of the science that was included were things I already knew, or studies I’d already heard of. Some of it was new, but already I couldn’t call up one example of it.

At times, he got so deeply involved in explaining some scientific concept that he’d go for pages without even mentioning Doctor Who.

It also seemed to me that he kept referring to the same episodes. He’s really keen on “The Empty Child” and “The Doctor Dances”, using them for all sorts of examples of things. And most of the older Who episodes he mentioned were ones I’d seen or heard of, because they were released on DVD. Which started to make me wonder if he’d really watched all the Who he could possibly watch, or only hit the highlights.

Right at the start, it says the book has been updated up until the Eleventh Doctor. But don’t expect a lot of updates. Ten doesn’t even get much action. And right in the first chapter, the first paragraph even, he says we don’t know if the doctor has a family. Apart from calling a girl his granddaughter in the first series. Well, we all know there’s more family than that!

Where I really took objection to what he was saying though was in regards to Jack Harkness. He says in the future everyone’s bi and then blithers on about not having to reproduce in the traditional manner, so being straight is no longer biologically necessary. Or something. But Jack is not bi, because he doesn’t limit himself to two genders, or even to humans. And the kiss he and the Doctor shared is a not a ‘gay kiss’. Because neither of them is gay!

Oh, oh, and then he talks about this idea that this female scientist had that.. wow, the Doctor could regenerate as a woman! And he thought it’d blow our minds a little if the Doctor were transgender. I think it was him that had his mind blown when she mentioned the idea.

Back to the science.. I don’t know how many explanations I’ve read now about the theory of relativity and gravity and time and the speed of light. I don’t pretend that I understand it fully, but I’m not really eager to read about it anymore. I think that sort of thing is better demonstrated with video. Not little graphics and text written by a non-scientist.

I wish there had been more Dr. Who images in the book. Or like.. anything. I think one picture might’ve featured the TARDIS. I guess they didn’t want to pay any licensing fees. But it made the graphics that were included all the more boring to look at.

Well, that all made me sound rather down on the book. But overall it wasn’t bad. It wasn’t a slog. If you like Doctor Who and want to learn about cutting edge science, go for it. If you just want to get your geek on, probably Chicks Who Dig Time Lords is a more interesting read. And if you’re looking for science, go for Michio Kaku or Neil deGrasse Tyson.

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