Nebula Project: Ringworld

On his 200th birthday, Louis Wu is recruited by an alien to join an expedition to an unknown destination. The reward is the plans for a spaceship drive beyond anything the human race has yet invented.

What follows is a spoiler laden discussion of the book Ringworld. Beware if you’re worried about such things.

On his 200th birthday, Louis Wu is recruited by an alien to join an expedition to an unknown destination. The reward is the plans for a spaceship drive beyond anything the human race has yet invented. He and the other recruits soon discover their destination is Ringworld, a sort of modified Dyson sphere which consists of a single ring spinning around a sun. Louis, his girltoy, and two aliens soon crash into Ringworld and must try to discover just what it is, who made it, and how they can escape.

K: Up for discussion is Ringworld by Larry Niven, winner of the 1970 Nebula award. This book was also apparently popular enough to spawn a franchise, but I think before we even get into discussing the plot or the details, we have to start by looking at the massive massive genderfail/misogyny that pervades this entire novel.

K: I was so astounded by it that I really am not sure where to begin.

J: This is another one of the books I’d actually read before. This one I believe I read in junior high, maybe early high school, when I was just blowing through things in the SF section of the local library. My memory of it was really limited to ‘hard science fiction, some aliens, a ringworld, boring’. So it surprised me when it was actually readable. But I also hadn’t remembered there being women in it! Or.. women-like objects, more accurately.

K: Yes, that’s really a perfect description. They certainly weren’t fully realized characters with agency or any sort of purpose. In fact, the “main” female character in the book, Teela Brown — it seems in the end her entire reason for being in the book was her complete -lack- of agency. Things just happened to her (and thus to our far more important male or apparently-male characters) without her knowledge, consent or even interest. Now, given that she was a completely rubbish female character to begin with, apparently on the trip because our protagonist couldn’t go without sex for a couple months without being tempted to rape one of his alien male companions (Oh yes, very funny joke, Larry Niven. Ha ha.). She has no training, no brains, no abilities beyond spreading her legs.

[At least I never slept with Prince Adam.]

J: But occasionally surprises the main character with how smart she is! At infrequent times. And just when she disappears, (and he thinks she’s dead), another woman comes in to have sex with him. Because we wouldn’t want him to go without.

K: The magic hooker with the unpronouncable name! Does she have a heart of gold? I’m not sure we actually saw enough of her to decide, but I’m leaning toward yes. At least the hooker was apparently a few hundred years old, a far more appropriate age for our 200 year old “hero” than a 20 year old ingenue whose great-grandmother he slept with. There’s no other way to describe that situation except gross.

J: And if their whole characterization wasn’t enough, he also goes and sells whatshername the first girl to the Ringworld guy! Rather than, you know, convince him that he doesn’t own her. Just.. oh, it’s easier if I sell you to him. ‘Okay!’

K: I was completely baffled by that. Now, we do have some evidence (see: magic hooker) that the Ringworld society wasn’t exactly egalitarian prior to the collapse of civilization. But it’s extremely telling that Niven’s take on the collapse of even an unequal civilization is that their first step is to make women literal property. Why? Seriously, why? He doesn’t even attempt to dress it up with the idea of a dowry or a bride-price, or explain why, and no one questions it. It’s just: ‘oh, women are slaves? Ok, well, here, let me sell you to him’.

J: Oh, he makes a lot of leaps without any good explanation to back them up. (‘He’ being kind of both Niven and the main character here.) Oh, no metal to mine, so clearly civilization cannot re-emerge. There’s bacteria in your gut! It could mutate! (And there was no other bacteria anywhere? Not.) You’re lucky, therefore you have no free will. Nessus might be male and take a female mate, or he might be female and take a male mate, or he might be male and take a male mate. But never once does it cross his mind that they might both be female.

K: Yes, let’s talk about the aliens for a bit. We have three species represented here, if we don’t count the Ringworlders as a fourth. And apparently Niven gets props from many for coming up with detailed and very different alien societies. I can see that to a certain extent, but once again his big issue is gender relations. Nessus (the puppeteer) implies that reproduction for his species requires three. Okay, fine. Except that one of the three involved is ‘property’ and nonsentient. Er, okay, fine. I don’t like that, but if you want to have a species where that is the case I can see how it might be interesting to explore. Not that it is explored or anyone comments upon it. Because ha ha, silly us, our other alien species, the catlike Kzin, -also- have a second sex which is nonsentient. And in both cases, as far as the reader is concerned, we are told that the aliens we see are analagous to males, implying (or in the case of the Kzin, flat out stating) that the nonsentient sex is the female one.

K: Once is interesting, twice is a trend. And given the fact that Niven made no effort to then contrast the human race with these aliens by making the human females dynamic, intelligent and interesting, it just smacks of a lack of interest in portraying females at all. The only reason the human females weren’t completely nonsentient is because obviously everyone knows that’s not the case. (Though apparently they aren’t quite up to male standards either.)

J: It’s bizarre too. Because Nessus says their only options to not breed are surgery or abstinence. I mean.. couldn’t you have sex with one person and not the both required? Not that we have any clue how any of it is accomplished. Because while he doesn’t shy away from nice human hetero sex scenes, he’s extremely vague about the aliens. And you’re right that we’re supposed to surmise that the nonsentient puppeteer is female, because Louis doesn’t ever imagine otherwise. Like if he had thought Nessus and the Hindmost both female, he would’ve had to imagine the nonsentient one as male and he couldn’t do that. And if both of those races are used to females being nonsentient, they should’ve been treating whatshername (I keep wanting to call her Trillian, for reasons I can get into later.) like crap. And Louis should’ve been all ‘What’re you doing, guys? She’s as sentient as me.’

J: Not that I want Nessus or the Hindmost to actually be female! Because /then/ we get the characterization of kzinti as male and warlike and fierce and strong. And the puppeteers as female and cowards and manipulators.

K: I didn’t entirely get the problem with the puppeteers and breeding. Nessus also says that abstinence causes its own problems and remarks that no race can go without sex for very long without it causing issues. And after he said that, I waited for Louis to contradict him, since humans have long practiced a lifetime of celibacy with no issues at all. Except he didn’t. Instead, Louis decides he may as well agree to bring along a completely unqualified 20 year old, since she’s eager to bed him and then he won’t have to be deprived. He even reflects on how stupid he was in the past for going on his solo ‘sabbaticals’ without taking along a woman in stasis he can wake up whenever he gets the urge.

J: Gah, yea. I’d forgotten he’d thought that. Like the human race wouldn’t have developed a very nice realistic sex doll he could’ve brought instead. The doll could’ve seemed just as sentient as he wanted. Which I’m guessing is not very. Was there also something in here about men only being able to reproduce until they’re in their 40s or 50s? Showing a clear lack of understanding of human reproduction!

K: There was indeed, though I think it was 50s or 60s. In any case, I can’t explain it, since even in 1970 I can hardly believe anyone thought that was true, since there were countless examples of it being untrue.

J: If the boosterspice made you sterile after you used it once or a few times, then sure, but.. that’s not stated.

K: Because that might confuse people into thinking our virile hero is impotent somehow! When of course he’s not. Every woman ever wants to sleep with Louis Wu. Though it’s never exactly explained why.

J: Why was he randomly called by his full name here and there? I can’t take his full name seriously in any case. After the titles of the first two chapters, I couldn’t take anything seriously! Which is when my mind started going down the Hitchhiker’s path. For those playing along at home, the first two chapters are: Chapter 1 – Louis Wu | Chapter 2 – And His Motley Crew

K: Ha! I did not actually notice that at all. Anyhow, I started equating Teela to Trillian fairly early on, but then gave it up. As underused and underdeveloped as Trillian is, she’s an astrophysicist, beautiful -and- smart. At least in the books. Teela is just a scream machine, someone for Louis to shake his head at, who conveniently disappears for the last third of the book so they can solve the problem of how to get out of the Ringworld.

J: Oh, Teela gets to be part Trillian and part Heart of Gold.. speaking of women with a heart of gold. :> And then we had a two-headed alien. So I really started to wonder how much Douglas Adams was using Ringworld to riff off of.

K: That is actually a good question. One which I’m not qualified to answer, but I can’t imagine it wasn’t something he had read and was aware of when writing Hitchhiker’s.

J: Didn’t Arthur Dent also meet Trillian at a party? But anyway.. the other reason I couldn’t take Louis Wu seriously as a name is that he was trying too hard to be Chinese without being Chinese. It was.. well, weird, but also racist. We first meet him he’s altered his true appearance and wearing clothes to make him nothing but a caricature of what a Chinese man is supposed to look like. Dressed up for his party? Or does he always present himself that way except when he’s off exploring ringworlds?

K: From the very brief introduction we have to current Earth society before we leave the planet, it sounds to me like extensive costuming and colorizing is typical of the present society. Teela, for instance, looks not at all like her presented appearance at the party. I do wonder why this seems to be a relatively common future trope (we last encountered it to this extent in Babel-17) — but maybe I’m just out of touch, since I do not like jewelry, perfumes make me ill, and I have way better ways to spend my money and time than worrying about cosmetics. I guess if modification was easy and cheap I might well use it to remove some weight.

J: The book that comes to mind is Westerfeld’s Uglies series. I think when a society is decadent and bored, they supposedly start playing with cosmetics, clothing, accessories, etc. If it was cheap and relatively safe and painless, I might do a few things. But why look like a boring old stereotype of a Chinese man? At least try to look like someone in particular, or be, y’know, different. Horns, wings, fur. Or if you felt that ideally reflected the you inside, then.. why remove it all to make a space trip?

K: I wasn’t entirely sure about that either, except that they weren’t going to be able to bring their cosmetics with them on the trip, and I’m sure real astronauts aren’t allowed to wear such things(?), so perhaps it’s something he included without even thinking about it.

J: Hrm. Maybe.

K: Now, the technology was interesting. Aside from the various poorly explained youth serums (the boosterspice, and then the Ringworld equivalent which somehow gave you ’50 years of youth’ per dose.) We have the transporter booths, the puppeteer equivalent, moving sidewalks — and then Louis mentions using a typewriter. What?

J: Did he? I don’t remember that. What kind of threw me was ‘intercom’ also including video. Since to me ‘intercom’ is very specific. Unlike ‘comm’, which I take more generally, to cover a wide range of possibilities.

K: Video intercom isn’t unheard of, so that didn’t really pop out at me. And I had to laugh at the moving sidewalks (slidewalks!) because really, that idea is so impractical. They can’t even keep the elevators working in subway stations. They can’t even properly plow the sidewalks we have. Can you imagine municipalities trying to keep miles of conveyor belts working? Outside? And yet… it’s such a popular idea. Like flying cars.

J: Bunch of lazy people. :) That reminds me though.. that he thinks teleporters will homogenize the planet. Moreso than television or other communications technologies. Like there wouldn’t be a backlash against, say, the Louvre being turned into a Walmart.

K: Yeah, it’s pretty clear now that increased communication and consumerism is what’s going to homogenize the planet. Transportation may come later but it’s not going to be at all essential.

J: If anything, it may have the opposite effect. If I can teleport anywhere I want, am I going to go to Dunkin Donuts? No. I’ll go to whoever I think is the best donut place on the planet. The number of Dunkin Donuts then won’t be based on ‘well, the closest one is a mile from here’, but on how many are needed to keep up with demand.

K: That’s an interesting point. I hadn’t thought of that, but it’s very true. We put up with a lot of mediocre stuff because of convenience, but this would really change the nature of convenience in a fundamental way.

J: There is just so much in here I wish Niven had been concerned with exploring instead of the stupid Ringworld. What’s Earth like? What are the colonies like? What are the alien societies like? Not that I want to read the other books to find out. I think they’d just tick me off.

K: And there’s no real guarantee that they focus on the information you want. I think here again, he got interested in the idea of a Dyson sphere and wanted to figure out how to improve it. I can’t fault him for the thought experiment. It’s just the execution which is so unfortunate, because it completely takes away from the fact that the idea of a ‘ringworld’ is actually interesting. But he didn’t really explore that either, because as soon as we get there our characters are mostly trying to escape!

J: And I’m still confused why the place is full of humans. The explanation is supposed to be that the people who made the ringworld also wandered by Earth and half-heartedly terraformed it, brought some chimps and Neanderthals with them and.. what? We evolved from those Neanderthals or we descended from the ringworld engineers? And where do the dinosaurs come into it?

K: I suspect the history may be better fleshed out in future books, but yes, the impression I got was that Niven was saying we were somehow evolved from the pets of the Ringworld humans. So we were distantly related to them, but not -them-. I don’t know where the dinosaurs come in.

J: And none of these other alien races had run into humans on any other planet other than the ones who wandered there from Earth? Only Earth humans managed to make a go of it.

K: Well, I think the Earth thing was somewhat meant to be speculation. Because really it doesn’t make a -whole- lot of sense. Earth is supposedly 200 light years away from Ringworld, and no one ever encountered these Ringworld humans before, so presumably most of their empire was away from ‘Known Space’ which is the area local to Earth, roughly 70 light years across according to the book. So the odds that Earth, so very distant, was really part of it? Dunno. It seemed like an awfully silly coincidence, but as it was never properly followed through with in this book I can’t say either way.

J: Also the arrogance. Oh, these people can’t fly the cities anymore. They think we’re gods. So they’re uncivilized and backwards and barbarians and such a shame their civilization fell.

K: Shoddy reasoning was all over the place. There are lots of leaps of logic that are only barely supported by the available facts (ex: the whole Earth terraforming business). Like, they all happily conclude that people invented the floating cities before the development of the life extending serum, because people who don’t live long lives are more likely to be reckless with the life that they have. Um, what?

J: Yea, bizarre. And how is living in a floating city any less safe than flying around on cycles or in spaceships? When it comes to the luck thing, I could buy that a very lucky person would be reckless and careless. I couldn’t buy that she couldn’t empathize with people. That ‘I’m blind’, ‘But can you /see/?’ thing was just weird. And why would her luck have to drag her all the way to the ringworld to teach her how to uh.. be in pain? She couldn’t burn her feet on Earth? And I refuse, I refuse to believe this guy who now /owns/ her is the best possible person in the world for her and isn’t she so ‘lucky’ to have been united with him.

K: Niven (through Louis) flat out questions her humanity at several points in the book. I found it fairly hard to believe she was -that- distanced from the normal human experience. And yes, I strongly object to the manner in which she was disposed of by finding that random dude and then… randomly sleeping with him. And even more randomly being sold to him. The whole subplot of Teela’s luck was just weird and confusing.

J: And he’s really old. So she hasn’t even traded in for a man closer to her own age. :P

K: After reading this, I have to wonder why this universe became such a favorite that it spawned so many sequels, prequels and spinoffs. There is so little to recommend it. The basic idea– I’m just not sure how you can rescue it from all of the fail.

J: I don’t know.. the only redeeming quality I can see is that the two aliens were interesting. Although not entirely well-rounded.

K: They aliens were interesting, sort of. The puppeteer moreso than the Kzin. I have a prejudice against cat aliens.

J: I didn’t really read him as a cat. Even though he did say kittens at one point, I think. I guess I pictured more that big Looney Tunes monster. Whose name Google now informs me is Gossamer.

K: I can’t say whether or not I would have immediately read him as a cat, though I’m sure that his felinity was mentioned. But really I spent the better part of the 90s seeing those Man-Kzin War books being promoted at the bookstore when I went in to buy something else, so I have the cover images burned into my brain.

J: Ah. Well, I don’t have trouble with cat aliens per se. They do seem to be all over the place though.

J: Maybe you can explain something to me. It’s probably physics. So at the end, they pull the ship up the mountain and it’ll go down the hole in the middle and out into space, yea? It that because centripetal force is going to erm.. propel them that way? And then what’re they doing? Hanging out in space? I just.. why couldn’t they just take off again? Why did they have to go ‘down’ and through the hull?
s/It/Is

K: The problem was, to put this in the terms of technobabble from other series, all their impulse engines were burned up by the sun, but their hyperdrive was contained within the hull rather than fastened outside of it. So the only way they could move was by turning on the hyperdrive, which would have caused massive destruction if they tried to do it inside the ring instead of out of it. Now, I don’t recall an explanation for how the hyperdrive worked, but presumably it works on the same basic principle as most FTL drives and warps local space allowing the ship to escape Einsteinian space and enter a dimension where the speed limit isn’t the speed of light. Doing this on top of a planet or planet-like structure is probably a very bad idea.

J: I was just trying to picture a bunch of different alternative escape plans. But I couldn’t think of one that’d work. So I guess I get it now. And they must’ve landed near the one spot they could escape through because Teela was lucky and it was in her best interests to get Louis as far away from her as possible.

K: Hahaha. Yeah, that must be it.

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The Strange Case of Origami Yoda (Tom Angleberger)

The Plot
Tommy isn’t exactly the coolest boy in the sixth grade, but he knows he’s cooler than Dwight. Which is why it’s so very confusing when Dwight, who has committed many crimes against coolness, produces an origami Yoda. And not just any origami Yoda, but a Yoda who gives great advice (if in a poor imitation of the actual Yoda’s voice). If Dwight is so incredibly out of the loop, how does Yoda do it? Is the Force really at work here or is it something else?

My Thoughts
The title of this book alone made it required reading, and then the cover (with its picture of an origami Yoda made by the author) just clinches the deal. But other than those things and the cover blurb, I didn’t have much more information about it going in.

The setting is a U.S. middle school, a fairly liberal one, as the kids seem to have plenty of time to congregate out of class (not a feature of the junior high I went to – though at least we still got a long enough lunch to have some recess time after eating). Tommy is a kind of middle of the road kid, perhaps on the less popular side of average, and his friends mostly occupy the same social stratum. Dwight is a boy on the fringe of their group — he’s considered borderline acceptable even by them, due to his behaviors and habits which are considered odd by the other kids.

Dwight, however, doesn’t seem to care or notice that he’s looked down upon by the others. He seems oblivious for the most part to the horror he creates when he wears a weird outfit or eats his food in an odd fashion, or talks to a girl without agonizing over it. It’s not clear to me as a reader if Dwight is meant to be socially awkward and unaware of the views of others or if he’s completely aware of their shock, but is just above petty social games and confident enough in himself to behave the way he wants. In the end it may not matter (we spend the book in Tommy’s head, not Dwight’s) but it’s an interesting question which I don’t entirely feel was resolved.

One day, Dwight shows up having made a Yoda out of origami. He puts it on his finger and does a Yoda imitation and thus proceeds to give advice to the others. Most of the time, this advice seems to be very wise, and most of the other kids find this completely incompatible with their view of Dwight as clueless. (Though it fits better with the possible second view of Dwight which none of them have entertained.) Tommy is one of the most concerned by this seeming divergence from expectations (perhaps because it forces him to think he may have mislabeled and underestimated Dwight?) and so he attempts to compile a dossier of the advice Yoda has given and the results which ensued.

The various scenarios presented are all reasonable, realistic and all that (well, maybe — do they really still have middle school dances? they were lame 20 years ago and not many people went), and the premise is a fine one. The only place where the story falls down a bit is in the fact that all the kids (except for Tommy’s cynical “friend” Harvey, who as far as this story actually has an antagonist, is it) sound exactly the same, even though we’re supposed to be getting stories from a variety of perspectives. Perhaps the stories are meant to have been filtered through Tommy before being written down. I’m not sure. But I would have liked to have seen a bit more variety in voice.

The other issue I had was with the girls. And in the context of the story, it’s not really a fault, it’s just a POV that’s so common I’d really like to see some effort to make it new again. And that is the view of girls as alien beings impossible to comprehend, a view which most of the boys seem to share. I’m not sure how one would make this new, but I do know it wasn’t exactly ‘new’ here.

Overall, this was a pleasant little story. By the end, Tommy seems to have learned a lesson, everyone is happy (except Harvey) and it ends on a feel good note. There is a sequel coming, which I find I’m actually interested to read, because it seems like it’s going to focus on Harvey and his reaction to all of these events.

In Short
Though The Strange Case of Origami Yoda doesn’t exactly break new ground in tween books, it’s still a decent story with some interesting characters. I really like the idea of the origami Yoda, and really it was that which attracted me to the book in the first place. (And shows what you can do with a kickass title.) Though most of the characters felt pretty generic, Dwight and Harvey (and to a certain extent Caroline, a hearing impaired student just slipped in there for no moral value at all — nice work!!) stood out as being unique constructs. I’ll be picking up the sequel to see what happens next.

Origami Yoda
Edited to add my not so great attempt at making this version of Origami Yoda. The only origami paper I could find in the house was small and rainbow colored, neither of which helped.

[Yoda uses the force to prevent his picture being taken]

[Yoda’s force powers are overcome by sunlight]

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J’s Take on The Strange Case of Origami Yoda

Origami Yoda CoverThe Strange Case of Origami Yoda by Tom Angleberger isn’t exactly what I was expecting. But it was surprising in a good way.

I thought it would be shorter. I also thought it would be paperback. It’s not overly long, but it wasn’t something I could read on one bus trip or lunch break. And it’s a very nice hardcover. Reminds me of the Doctor Who tie-in novels and The Thackery T. Lambshead Cabinet of Curiosities which you should totally buy, yo. A very nice look and feel to it.

Also, how can you resist that origami Yoda on the cover?!

For bonus points, I read this while listening to Weird Al’s “Yoda”. Yo-yo-yo-yo Yoda.

This book is laid out as case files, as the main character, Tommy, tries to work out if Origami Yoda is magic, or what. Origami Yoda is a Yoda origami puppet that a strange classmate of his, Dwight, made and designed himself. He wears it around on his finger and it gives sage advice to those who ask. In a bad Yoda voice with questionable Yoda syntax. (But the book makes a point of pointing that out!)

Other classmates have contributed to the case files, and added their thoughts and comments. And doodles.

I really have very little negative to say about this book. I liked that the pages were all crinkly (well, the design on them was of crinkly paper, the paper wasn’t actually crinkly). There are little tie fighters and X-wing fighters in the corners of the pages. The doodles are believably drawn by a kid, and funny! The one of the squirrels struck me particularly.

The book was just geeky enough for me, with Star Wars references, Shakespeare quotes, mention of Tycho Brahe. There are girls in here who don’t come off as idiots. (Although they do seem the goal of most of the male characters.) There’s even a hard-of-hearing girl, though she doesn’t get to write a case file herself.

So to my two problems with the book. First, the kids are in sixth grade, and they seem rather obsessed with girls and a PTA Fun Night dance that happens every month. That’s not the sixth grade I remember. (Though admittedly I am far from typical.) I wonder if it’s because it’s part of a middle school, whereas my sixth grade was still elementary school.

My origami Yoda
Imagination you must use

 

The other is the origami Yoda instructions at the back. I was worried I couldn’t follow them well, but in the end, I think I came out with a decent origami Yoda. I didn’t cut the paper in half and in half like it said, so he’s a large origami Yoda. He’s also not green.

Buuuut… it’s also not the Yoda(s) in the book. If you expect to make one like the Yoda on the cover, you’ll be disappointed. I wish the author had included two different versions of Yoda instructions. One easy one and one more complex one that looks nicer. I probably would’ve failed to make the good one properly, but hey.. I could try!

 
 

There’s a sequel out soon (already?) and I’m rather interested in seeing the return of the origami Jedi.

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Skyfall (Catherine Asaro)

Skyfall coverThe Plot
The Skolian Empire stands on the brink of war, with only an important vote in the ruling Assembly to decide which way the decision will turn. Roca Skolia, the Foreign Affairs Minister and daughter of the current rulers of the Empire, is desperate to get back and cast her votes against the war. But she knows her son Kurj, head of one of the military branches, is just as determined to keep her from arriving in time so he can cast her votes for her. She attempts to avoid his agents by taking a roundabout method back and accidentally finds herself stranded upon the world called Skyfall. What happens next may end up having an even more profound effect upon the Empire than the war ever could.

My Thoughts
I was first introduced to Catherine Asaro’s Saga of the Skolian Empire sort of by accident. I was with friends in Boston, and we stopped by Pandemonium, a science fiction and fantasy bookstore. I was not feeling very flush with cash at the time, so I lingered near the door while they shopped, trying to avoid temptation. At a table near the entrance were some books and also their author, who I ended up talking to, because I felt awkward just standing there and ignoring someone. It was Catherine Asaro, and she gave me a pen. And then I felt guilty for taking the pen, so I also bought one of her books, The Last Hawk, which she told me was probably the easiest to read as a standalone. I took it home and read it and enjoyed it, and even went so far as to figure out which book I ought to read next, so I read that one and liked it too. And that’s kind of where things stood, because I knew even though the two I had read were enjoyable, I still felt like there was a multitude of backstory I had missed and which I needed to properly enjoy the later books in the series. I am a freak for timelines.

So when we decided to read one of Asaro’s books for Tripletake, I seized upon the chance to finally have an excuse to (1) figure out the internal chronology of the series and (2) buy all the rest of the books. Skyfall comes chronologically first (for now, at least) in the series, though it was not published first.

In Skyfall, we’re introduced to Roca Skolia, the second daughter of the current rulers of the Skolian Empire and the Empire’s Foreign Affairs Councillor. As the story opens, she’s realizing she was tricked by her son Kurj into leaving the seat of government just before an important vote will be called — a vote which will determine whether or not the Empire enters into a war with their rival empire, the Eubian Concord. With Roca out of touch, Kurj will be able to cast her votes as proxy and thus swing the result in the direction he desires. In order to thwart his plans, Roca devises an extremely roundabout method of returning to the Assembly. She lands on the world of Skyfall a few days before her next connection and promptly finds herself swept off by a group of the planet’s inhabitants. Though her kidnappers don’t mean her harm, an unexpected blizzard keeps her from getting back to the spaceport in time to make her flight, and she is stranded. Then, to make matters worse, she finds herself in the middle of a siege when the stronghold where she is staying is attacked by a group seeking to overthrow Eldrinson Valdoria, the current man in charge.

That Roca and Eldrinson find themselves mutually attracted is probably not a surprise. But what was a nice surprise was the effort made to make the residents of Skyfall (aka Lyshriol) actually different, even though they were of human stock. Instead of five-fingered and toed appendages, they have four fingers which bend in the middle to oppose one another. They think and count in base 8, and their vocal abilities have been enhanced so that they can make more sounds than a normal human. But somehow they can’t grasp the idea of a written record. Though they’re human, they’re still very alien — it’s hard to imagine them or get in their heads. And that was interesting to me, much more than your typical degenerate colony. It also seemed fairly self-consistent to me, more logical than say, the ancient colony/experiment which we visit in The Left Hand of Darkness.

Now, meanwhile, Roca’s son Kurj, though pleased with the voting results he’s achieved with his machinations, is increasingly agitated over his mother’s disappearance and consumed with the guilt of knowing it would not have happened but for his schemes. He devotes fantastic amounts of time and resources into trying to figure out where she’s gone, hoping to rescue her and also to punish anyone who might have been involved in keeping her away from him.

Along the way of this, we get a good amount of information about the history of the Skolian Empire, the leaders, the current political situation, the distribution of humans in this particular future, and various technologies which are unique to Asaro’s universe. As an introduction to the series, I came away from Skyfall feeling far less confused by the cast of characters and the setting than I recall feeling after the other books I read. There was plenty of information provided, but the number of main characters was not excessive and I was able to keep track of them and their relationships to one another without any trouble.

I’m looking forward to going through the series now in chronological order, and I expect that when I do hit the two books which I’ve already read, they’ll make a lot more sense and have more meaning once I can place them within a bigger context.

In Short
Though I had read a couple of books from the Skolian Empire series several years ago and found then enjoyable, I had been a bit confused by all of the names and places flying around because they took place quite far along in the series’ internal chronology. Skyfall is currently chronologically first and thus serves as a very good introduction to the characters and the setting, laying the groundwork for the rest of the books. Though it wasn’t published first, Asaro did a very good job of not expecting people to have read any of the other books before this one. I’m looking forward to continuing with the series from here.c

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The Strange Case of Origami Yoda by Tom Angleberger

From the back cover:
Meet Dwight, a sixth-grade oddball. Dwight does a lot of weird things, like wearing the same t-shirt for a month or telling people to call him “Captain Dwight.” This is embarrassing, particularly for Tommy, who sits with him at lunch every day.

But Dwight does one cool thing. He makes origami. One day he makes an origami finger puppet of Yoda. And that’s when things get mysterious. Origami Yoda can predict the future and suggest the best way to deal with a tricky situation. His advice actually works, and soon most of the sixth grade is lining up with questions.

Tommy wants to know how Origami Yoda can be so smart when Dwight himself is so clueless. Is Yoda tapping into the Force? It’s crucial that Tommy figure out the mystery before he takes Yoda’s advice about something VERY IMPORTANT that has to do with a girl.

This is Tommy’s case file of his investigation into “The Strange Case of Origami Yoda.”

Review:
If you had asked me to sum up The Strange Case of Origami Yoda in one word, my initial answer would have simply been “cute.” When I first finished it, I was left with a pleasant impression but wasn’t sure I had too much to say about it. After a period of mulling, however, I realized that, even if the story itself is fairly straightforward, Angleberger does some interesting things with the way he tells it.

“The big question,” protagonist Tommy begins, “is Origami Yoda real?” The weirdest kid in sixth grade, Dwight, has made an origami Yoda finger puppet, which seems to dispense good advice even though Dwight himself is a big spaz. Tommy compiles a case file of students’ interactions with Yoda in an effort to determine if he’s for real and, therefore, if his advice concerning the girl that Tommy likes should be followed or if it will lead to total humiliation. He allows his friends to add comments and doodles, giving the book a bit of flair.

Origami Yoda offers advice on various topics, like helping a boy not burst into angry tears whenever he strikes out in softball, or helping another kid live down an unwelcome nickname (“Cheeto Hog”). Each chapter recounts a different incident, and though they are nominally written by different students, there is no discernible difference in narrative voice, except in the case of Harvey, Tommy’s obnoxious friend.

Angleberger doesn’t spell out the answer concerning Yoda’s authenticity in detail, but he does show that Tommy gradually gets fed up of Harvey “criticizing everything and everybody all the time” and realizes that he would rather be friends with Dwight, even if he is an oddball. Everyone probably has a toxic friend like Harvey at some point and must make the difficult decision to stop associating with them, and I thought Angleberger handled Tommy’s revelation in this regard rather well.

He also incorporates themes of inclusion and tolerance with subtlety. At no point, for example, is a racial characteristic ever assigned for any of these characters. We know that Tommy is short with unruly hair, Harvey is perpetually smirking, and Kellen is thin, but that’s it. Too, one of the female characters is described as “cute and cool” before it’s revealed a few paragraphs later that she also happens to be deaf. True, characterization doesn’t go much deeper than this for anyone, but I still appreciated the lack of preachiness.

Again, I come back to the idea that The Strange Case of Origami Yoda is a cute read, but I reckon late elementary Star Wars fans would have fun with it. A sequel, Darth Paper Strikes Back (in which Harvey is out for revenge), is due out next month.

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